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Magnus Chase and the Gods of Asgard, Book 1: The Sword of Summer, by Rick Riordan
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Magnus Chase has always been a troubled kid. Since his mother's mysterious death, he's lived alone on the streets of Boston, surviving by his wits, keeping one step ahead of the police and the truant officers.
One day, he's tracked down by an uncle he barely knows-a man his mother claimed was dangerous. Uncle Randolph tells him an impossible secret: Magnus is the son of a Norse god.
The Viking myths are true. The gods of Asgard are preparing for war. Trolls, giants and worse monsters are stirring for doomsday. To prevent Ragnarok, Magnus must search the Nine Worlds for a weapon that has been lost for thousands of years.
When an attack by fire giants forces him to choose between his own safety and the lives of hundreds of innocents, Magnus makes a fatal decision.
Sometimes, the only way to start a new life is to die . . .
- Sales Rank: #232 in Books
- Published on: 2015-10-06
- Released on: 2015-10-06
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 2.75" w x 6.00" l, .0 pounds
- Binding: Hardcover
- 512 pages
From School Library Journal
Gr 5 Up—Fans of Percy Jackson and "Kane Chronicles" (both, Disney-Hyperion) books will not be disappointed in Riordan's newest series, which is based on Norse mythology. Magnus Chase, 16, has been an orphan living on the streets of Boston for the past two years. Ever since the mysterious death of his mother, he has tried to stay ahead of anyone who might be looking for him. When his Uncle Randolph tracks him down and begins talking about his birthright—an ancient sword—Magnus's world changes forever. But Randolph is not the only one searching for the sword. A Fire Giant destined to wield it as part of doomsday is hot on their trail. Dying and winding up at the Hotel Valhalla is only the beginning of this teen's (after)life. With an epic plot, engaging (and diverse) characters, and tons of wisecracking humor, Riordan's latest is a page-turner. Those new to the author's past series can jump right in; fans of his previous works will be happy to see clever nods and references to the other in-universe books. VERDICT Ravenous Riordan fans are likely to begin lining up for this on the publication date; be prepared for long holds lists on this one.—Patrick Tierney, Dr. Martin Luther King Elementary School, Providence, RI
Review
PRAISE FOR THE SWORD OF SUMMER
"Rick Riordan's new series is simply brilliant-maybe his best yet! I thought I knew Norse mythology, but now that I've read the gripping and hilarious Sword of Summer, I'll never see Thor the same way again. Get ready to stay up all night reading!"―New York Times #1 best-selling author Harlan Coben
PRAISE FOR THE TITAN'S CURSE
"All in all, a winner of Olympic proportions."―School Library Journal
PRAISE FOR THE SON OF NEPTUNE
"Should pacing and wit continue unabated into the third volume, whose foretold European setting promises further freshness, fans will eagerly await numbers four and five."―Kirkus Reviews
PRAISE FOR THE MARK OF ATHENA
"With a true storyteller's sense of pacing, Riordan creates another compelling adventure, right down to the cliff-hanger at the end. Stay tuned for volume four."―Booklist
PRAISE FOR THE LIGHTNING THIEF
"Perfectly paced, with electrifying moments chasing each other like heartbeats."―New York Times Book Review
PRAISE FOR THE HOUSE OF HADES
"In this adventure, victories are hard-won and the essence of bravery nuanced, making the journey as satisfying as it is entertaining."―Kirkus Reviews
PRAISE FOR THE HOUSE OF HADES
"Adventure fans will relish the action as their heroes confront formidable foes, while readers who have come to love the characters will enjoy following the different individuals as they take the stage in scenes that are usually dramatic, often witty, and occasionally surprising. A satisfying, penultimate entry in the Heroes of Olympus series." ―Booklist Online
PRAISE FOR THE SEA OF MONSTERS
* "In a feat worthy of his heroic subjects, Riordan crafts a sequel stronger than his compelling debut."
―Publishers Weekly (starred review)
PRAISE FOR THE LAST OLYMPIAN
"Riordan masterfully orchestrates the huge cast of characters and manages a coherent, powerful tale at once exciting, philosophical and tear-jerking. The bestselling series' legions of fans will cheer their heroes on and rejoice in such a compelling conclusion to the saga."―Kirkus Reviews (starred review)
PRAISE FOR PERCY JACKSON'S GREEK GODS
"The novel's winning combination of high-voltage adventure and crackling wit is balanced with scenes in which human needs, fears, and ethical choices take center stage."―Booklist (starred review)
PRAISE FOR PERCY JACKSON'S GREEK GODS
"The clash of modern and classical worlds is both exciting and entertaining."―The New York Times Book Review
PRAISE FOR THE SWORD OF SUMMER
"The Sword of Summer combines the glory of Norse myth with the joy of Rick Riordan's effervescent world-building. One of Riordan's funniest books-everything from the chapter titles to the wry humor of Magnus Chase will have you chuckling, even as the plot races along at breakneck speed. Check me in to Hotel Valhalla, please. I'll be staying."―New York Times #1 best-selling author Cassandra Clare
PRAISE FOR THE SWORD OF SUMMER
"The Sword of Summer is a propulsive, kinetic, witty rebooting of Norse mythology with all the charm of the Percy Jackson novels. Instantly likeable heroes! Insane action! Cool villains! A twisting, turning, always exciting story! Rick Riordan does it again, even better."―New York Times best-selling author Michael Grant
About the Author
Rick Riordan (www.rickriordan.com) is the author of three # 1 New York Times best-selling series with millions of copies sold throughout the world: Percy Jackson and the Olympians, the Kane Chronicles, and the Heroes of Olympus. His Greek myth collection, Percy Jackson's Greek Gods, was a #1 New York Times bestseller as well. His previous novels for adults include the hugely popular Tres Navarre series, winner of the top three awards in the mystery genre. He lives in Boston, Massachusetts with his wife and two sons.
Most helpful customer reviews
119 of 127 people found the following review helpful.
Hooray! Norse Mythology
By College Stealth
I’m a huge Rick Riordan fan and I’ve been waiting for this book for a while, those who have been waiting as well won’t be disappointed. I’m personally impressed; I know that the structure of the story is going to be similar to others of Riordan, but even with the structure similar, it’s still a page turner, but this time in the context of Norse mythology. It initially appears to be a long book, but, it is an easy read that goes fast; I didn’t want to put it down and read it in one night.
For those who are not familiar with Rick Riordan’s writings, this is a perfectly fine book to jump into Riordan’s fantasy world, there is no benefit gained in having read his other books that deal with heroes from Greek, Roman, or Egyptian mythology. The characters stand alone in their identities and are all affiliated with Norse mythology. The protagonist, Magnus, is quickly discovered in the story to have a background not quite like others, more so in his parenting and lineage; his father is a Norse god. As a result of this lineage, there are obligations that Magnus is thrust with, and the story is a modern day interaction of Magnus through components of Norse mythology, ranging from characters to weaponry of the ancient belief system. The story is told with humor, but also does a great job in outlining and establishing some of the belief systems of Norse mythology, such as the pantheon of the gods and goddesses.
The characters have a different personality, much like those we meet out of Camp Jupiter vs. Camp Half Blood. The story takes place in Norse mythology, which I personally do not have as strong of a familiarity with, and allowed for a new sense of novelty in the story that has the format of hero discovered, hero goes to “camp,” and hero goes on quest. The introduction of the new characters was nice and it created a sense of anticipation about who maybe a bit more friendly than others. Overall, the relationship with the gods themselves is a bit more casual, even if the society itself is more regimented.
A discussion board commenter alluded to the possibility of a relationship between these books and that with Camp Half-Blood, from the start of the book there is a pleasant surprise in that Magnus does have a cousin who attends Camp Half-Blood, but rather than long-term interaction with him/her, there is just a brief reference too at both the beginning and the end of the story.
It’s a hard story to talk about because of the potential to give so much away about who is related to who, and familiarity with some of the Norse gods would reveal some of the plot elements. However, a unique aspect of the Norse mythology is that the fates of the gods are much clearer, with a level of clarity and absolutism in the roles that each one knows that he/she plays, even in the final battle (Ragnok which isn’t the final battle in this book).
Know that the structure is similar to the books in the past, the characters who are introduced throughout this book are unique in their own ways, especially Magnus’s new companions and, I especially enjoyed the history and sense of honor associated with the Valkyrie corps, especially Samirah al-Abbas, who identifies from a Muslim family.
Anyway, enjoy a way! I have some Norse mythology to learn about now that I’m curious.
4 of 4 people found the following review helpful.
Is this the same Rick Riordan?
By Prentiss Grassmyer
I don't understand. I love the Percy Jackson books. I would go so far to say that I find them better than Harry Potter. So when I found out that he was writing another series using Norse Mythology, I was totally on board. This book was awful. I couldn't even finish it. It was soooo boring. It just seemed like a poor man's version of Percy Jackson, following the same essential plotline beat for beat. It also seems to me that Rick Riordan has a checklist of minorities that he felt the need to shoehorn into this book. In Percy Jackson the diversity was totally organic and added another layer to what were already very well written characters, but in Magnus Chase it feels like blatant tokenism. Like Riordan sat down to write and went, "Hm, what haven't I used? How about a Muslim? Done. Anybody writing about deaf/mutes? Better throw one of them in there."
The only even remotely interesting bit was when Annabeth showed up for a couple seconds. I'm starting to think that Percy Jackson was a fluke.
3 of 3 people found the following review helpful.
Felt recycled
By Amazon Customer
So Asgard is really cool and all and it was interesting to explore Viking mythology. But on the flip side the plot of this book is pretty much the same as the first Percy Jackson book. Magnus/Percy is living his normal but depressing life when all of a sudden he is involved in a big fight in Boston/New York. In the aftermath he goes to a special place for special people like him Valhalla/Camp Half Blood. There he meets a girl Sam/Annabeth with some problems of her own and some magical creatures to help him on his quest. Then there is a super mysterious prophecy resulting in Magnus/Percy leaving on their quest to save the world. What follows is a series of fetch quests for McGuffins from various Gods reminiscent of the Pearls of Persephone in Percy Jackson. Eventually after a series of disjointed magical adventures they basically just show up and save the world. Strangely Magnus plays almost no role in the final battle, in fact his sword flys around and does most of the fighting on its own, so he just kind of sits there with sad feelings. But never fear, they are victorious and return home for some quest rewards that magically solve everyone's problems... woohoo!
I feel that this book falls into a Riordan style that is becoming more and more obvious. Basically the book is just a series of disjointed adventures that explore mythology. Every few chapters are basically little novellas strung together by the fact that at the end of each the characters get a McGuffin (a little object that serves no other purpose but to allow them to move onto the next self contained novella). This is lazy writing and was particularly obvious back towards the end of his Roman Gods series where there were so many characters that each one got their own little chapter with a challenge uniquely suited to their skills. This book is similar except that there are fewer characters so the style isn't as obvious. Still though, it would be nice if he could eventually move beyond the level of writing that feels like playing an old video game. Walk a little ways, defeat monster, walk further solve puzzle, walk further defeat more monsters, ect. It's starting to get stale. I give it three stars for being a decent read but the plot is getting old and I would appreciate a new one sometime.
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