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ENDURING LITERATURE ILLUMINATED
BY PRACTICAL SCHOLARSHIP
The first volume of The Divine Comedy--Dante begins his downward journey through the seven circles of Hell.
EACH ENRICHED CLASSIC EDITION INCLUDES:
• A concise introduction that gives readers important background information
• A chronology of the author's life and work
• A timeline of significant events that provides the book's historical context
• An outline of key themes and plot points to help readers form their own interpretations
• Detailed explanatory notes
• Critical analysis, including contemporary and modern perspectives on the work
• Discussion questions to promote lively classroom and book group interaction
• A list of recommended related books and films to broaden the reader's experience
Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.
SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON
- Sales Rank: #1104337 in eBooks
- Published on: 2016-02-09
- Released on: 2016-02-09
- Format: Kindle eBook
Review
"The publication of the first part of Singleton's translation and commentary provides the most comprehensive annotated edition of the Inferno available in English. It is particularly valuable not only for the wealth of factual material but for the citing and translation of long passages from Dante's sources. . . . An indispensable tool for all serious students of the Divine Comedy in English and a valuable possession for all Dantisti."--Renaissance Quarterly
"Although we have had many translations of the Comedy since the eighteenth century, some of them notable re-creations, we have not really had a scholarly edition which aims at relative completeness of information about the language, ideas, and background of the poem. This Professor Singleton has provided."--Speculum
From the Back Cover
"Singleton's edition of the Divine Comedy will certainly be the edition for readers in English. The translation is much the most satisfactory one I know. The commentary is the most complete and authoritative in English. It is clear that Singleton's work on the Inferno supersedes everything else of the kind."--Francis Fergusson
About the Author
Durante degli Alighieri, simply called Dante, was a major Italian poet of the Late Middle Ages. His Divine Comedy, originally called Comedìa and later christened Divina by Boccaccio, is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature.
Most helpful customer reviews
50 of 53 people found the following review helpful.
Divine Comedy
By A Customer
This is a fantastic edition of the Inferno. It is the 1st time I've ever read the Divine Comedy besides excerpts attempting to ape the terza rima. While such exerpts are gratifying the way a 3rd generation video tape of a movie may be, it is far more fullfilling to read a 'literal' representation of the Italian text in English and then frame that within the borders of the original Italian. Singleton's notes are also exceptional and lead to a very complex reading of the text. In short, for someone who cannot speak a word of Italian but wants to have the richest reading of the text, from language to content to the culture the poem draws upon, this is the text to purchase. When I complete the Inferno I plan to complete the rest of the Dante's masterpiece with Singleton holding my hand.
57 of 65 people found the following review helpful.
CHARLES SINGLETON's translation of Divine Comedy
By Gak
I capitalize CHARLES SINGLETON because amazon.com pile their customer reviews into one long list, admitting no differences between translations. SINGLETON's very literal prose best serves the reader who would read the original Italian, and clarify his reading by referring to the facing English translation. You needn't have studied Italian for this, though some skill in another Romance language is very helpful. But if you insist on getting your terza rima secondhand, read Pinsky's Inferno(Pinsky has yet to bring over the Purgatorio and Paradiso).
10 of 15 people found the following review helpful.
Go to hell
By E. A Solinas
"Midway upon the journey of our life, I found myself in a dark wood, where the right way was lost..." Those eerie words open the first cantica of Dante Alighieri's "Inferno," the most famous part of the legendary Divina Comedia. But the stuff going on here is anything but divine, as Dante explores the metaphorical and supernatural horrors of the inferno.
The date is Good Friday of the year 1300, and Dante is lost in a creepy dark forest, being assaulted by a trio of beasts who symbolize his own sins. But suddenly he is rescued ("Not man; man I once was") by the legendary poet Virgil, who takes the despondent Dante under his wing -- and down into Hell.
But this isn't a straightforward hell of flames and dancing devils. Instead, it's a multi-tiered carnival of horrors, where different sins are punished with different means. Opportunists are forever stung by insects, the lustful are trapped in a storm, the greedy are forced to battle against each other, and the violent lie in a river of boiling blood, are transformed into thorn bushes, and are trapped on a volcanic desert.
If nothing else makes you feel like being good, then "The Inferno" might change your mind. The author loads up his "Inferno" with every kind of disgusting, grotesque punishment that you can imagine -- and it's all wrapped up in an allegorical journey of humankind's redemption, not to mention dissing the politics of Italy and Florence.
Along with Virgil -- author of the "Aeneid" -- Dante peppered his Inferno with Greek myth and symbolism. Like the Greek underworld, different punishments await different sins; what's more, there are also appearances by harpies, centaurs, Cerberus and the god Pluto. But the sinners are mostly Dante's contemporaries, from corrupt popes to soldiers.
And Dante's skill as a writer can't be denied -- the grotesque punishments are enough to make your skin crawl ("Fixed in the slime, they say, 'Sullen were we in the sweet air that is gladdened by the Sun, bearing within ourselves the sluggish fume; now we are sullen in the black mire...'"), and the grand finale is Satan himself, with legendary traitors Brutus, Cassius and Judas sitting in his mouths. (Yes, I said MOUTHS, not "mouth")
More impressive still is his ability to weave the poetry out of symbolism and allegory, without it ever seeming preachy or annoying. Even pre-hell, we have a lion, a leopard and a wolf, which symbolize different sins, and a dark forest that indicates suicidal thoughts. And the punishments themselves usually reflect the person's flaws, such as false prophets having their heads twisted around so they can only see what's behind them. Wicked sense of humor.
Dante's vivid writing and wildly imaginative "inferno" makes this the most fascinating, compelling volume of the Divine Comedy. Never fun, but always spellbinding and complicated.
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