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Alice's Adventures in Wonderland (Puffin Chalk), by Lewis Carroll
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When Alice follows the White Rabbit down a rabbit hole, she finds herself in an enchanted world, filled with creatures like the Mad Hatter, the disappearing Cheshire Cat, and the Queen of Hearts. Alice quickly finds out that nothing is as it seems in the wild world of Wonderland...
- Sales Rank: #1090526 in Books
- Brand: Puffin
- Published on: 2014-03-06
- Released on: 2014-03-06
- Original language: English
- Number of items: 1
- Dimensions: 7.03" h x .45" w x 4.10" l, .25 pounds
- Binding: Paperback
- 160 pages
Amazon.com Review
Source of legend and lyric, reference and conjecture, Alice's Adventures in Wonderland is for most children pure pleasure in prose. While adults try to decipher Lewis Carroll's putative use of complex mathematical codes in the text, or debate his alleged use of opium, young readers simply dive with Alice through the rabbit hole, pursuing "The dream-child moving through a land / Of wonders wild and new." There they encounter the White Rabbit, the Queen of Hearts, the Mock Turtle, and the Mad Hatter, among a multitude of other characters--extinct, fantastical, and commonplace creatures. Alice journeys through this Wonderland, trying to fathom the meaning of her strange experiences. But they turn out to be "curiouser and curiouser," seemingly without moral or sense.
For more than 130 years, children have reveled in the delightfully non-moralistic, non-educational virtues of this classic. In fact, at every turn, Alice's new companions scoff at her traditional education. The Mock Turtle, for example, remarks that he took the "regular course" in school: Reeling, Writhing, and branches of Arithmetic-Ambition, Distraction, Uglification, and Derision. Carroll believed John Tenniel's illustrations were as important as his text. Naturally, Carroll's instincts were good; the masterful drawings are inextricably tied to the well-loved story. (All ages) --Emilie Coulter
From Publishers Weekly
A clock-face grows like the daisies around it as the White Rabbit hurries by; in the opening pages of the story, Browne hints at his interpretive presence in Carroll's world. A burning key, a fish swimming through space, a green thread winding its way through a cabinetful of strange objects, and the artist makes it clear that this will be no ordinary Alice. Thimbles and umbrellas bloom atop green stalks, Willy the chimp races by, another thimble casts the shadow of a trophy, the Caterpillar wears a smoking jacket covered with butterflies. The Mad Hatter has a stack of his wares on his head, and wears a terrible grimace; the tea party at which he resides displays a table full of toylike objects and sweets, among which are many surprising juxapositions. In short, the volume is so consumed by the unexpected that readers may well find their eyes leaving the text to pore over the pictures, replete with jaunty details and stunning surreal images that grandly point back in the direction of the written word. All ages.
Copyright 1988 Reed Business Information, Inc.
From School Library Journal
Gr 4-Up-McGraw provides a unique visual interpretation of Carroll's classic tale. As in Natasha Wing's Hippity Hop, Frog on Top (1994; o.p.) and Edward Lear's The New Vestments (1995; o.p., both S & S), his gouache illustrations are marked by bold, rich colors and a collage-style layout. His work suggests the influence of early 20th-century abstract, fantasy, and surrealist painters, as well as that of contemporary illustrator Brian Wildsmith. At times, the trip through Wonderland appears nightmarish. The images of Alice with the bottle of poison in front of her face and the executioner as a masked club card clutching an ax are particularly jarring. The story can be read on many levels. McGraw has chosen to portray the deeper, darker side of Alice's adventures. This is definitely a sophisticated and special interpretation that will appeal to a very limited, mature audience.
Heide Piehler, Shorewood Public Library, WI
Copyright 2001 Cahners Business Information, Inc.
Most helpful customer reviews
403 of 417 people found the following review helpful.
The name of this review is called "Haddocks' Eyes"
By A Customer
I finally, and seemingly permanently, misplaced the 40 year old copy of 'The Annotated Alice' (which I had pilfered from my mother's bookshelf) for the last time. I can't go more than a month or two without it so I rushed to buy a new copy...just weeks before the more beautifully bound 'Definitive Edition' was published. No matter, now I have two (perhaps even three if the original turns up).
My point is that this book contributed more to my understanding of logic and wordplay than several semesters of college philosophy classes. If you've read this far then I am probably preaching to the choir but 'Alice in Wonderland' can hardly be classified as a childrens' book, dispite Disney's attempts to do so. The concepts Lewis Carroll and Martin Gardner bring to this tale cover such areas as set theory, meta-language, Aristotelian logic, topography, game theory, several pre-Socratic logic paradoxes, and even quantum physics. Yet John Tenniel's original illustrations remain as an welcome tether to the original publication.
Gardner does a wonderful job of bringing all the various aspects of these two stories together as he illuminates layer upon layer of meaning that might not be evident to an American audience or, for that matter, a 21st century one. My favorite gems are the French and German translations of The Jabberwocky.
This book ranks in my top five favorite books of all time.
166 of 172 people found the following review helpful.
The Looking Glass Shows Hidden Humor
By Ian
I always enjoyed the twisted logic and unique sence of humor that I found in Lewis Carroll's Alice tales, the only problem I encountered was that some of the jokes required information that was no longer common knoledge. For example: when Alice continually misquoted the old English nursery rhymes I found myself wondering what the actual versions were, information that every child in Victorian England could have easily told me but that has since been lost to obscurity. After reading through this book I found the answers to all my original questions as well as many that I never considered asking. At first I thought that the commentary would strip the original work of its character and reduce it to a lifeless shadow. I found that the commentary did exactly the opposite, in a surreal way it made the book even more entertaining to read. The incredible detail of the commentary and the wide range of topics covered made the comments themselves seem part of the insane illogic that pervades the realms of wonderland and looking glass house. This does not mean that the coments themselves are insane or illogical, on the contrary they are all intresting and many offer new insights into the books, what makes the commentary so entertaining is how the story of "exactly 7 and one half" Alice is juxtaposed with comments on how the structure of the plot relates to physic and Robert Oppenheimer. Altogether I found the Annotated Alice to be a wonderful read and a gorgeous book which I recomend to anyone who enjoyed the original tales.
137 of 144 people found the following review helpful.
Master of Nonsense
By Bryan A. Pfleeger
The Annotated Alice provides a treasure chest of information on the two Alice books and on the man, Lewis Carroll who was responsible for their creation.
Martin Gardner provides annotations throughout the texts of both Alice's Adventures in Wonderland and Through the Looking Glass and What Alice Found There. Gardner's annotations help explain the inside jokes and mathematical and linguistic puzzles that fill the stories.
Reading the Alice books as an adult is quite a different experience than it was as a child. The books' complexity really stands out on a careful reading. In fact, what are generally regarded as children's stories can be amazingly frustrating to read due to the complexity of the language and the almost constant stream of puns that are sometimes lost on modern audiences. One must remember that the stories are told purely for fun. Unlike other Victorian children's literature one gets no morals, plot development, or character development here. Alice is a yound child who stays a young child throughout her adventures. She neither matures or learns anything from her adventures.
This is a very nice volume in its own right. It contains complete authoritative texts of both books and includes the supressed episode "The Wasp in the Wig." The original Tenniel illustrations are crisp and clear. The only difficulty is that the annotations are placed on the same page as the text in a small column that sometimes supplies more information than the text itself. The annotations themselves range from the definitional to the clearly eccentric. One can read all of them or only the ones that he or she is interested in.
On the whole this is an excellent volume well worth the effort to read if one has any interest in the world of nonsense literature.
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